If you have not yet seen the film, there may be some spoilers in here for you! :O
So you know… there is my warning, take heed if you must.

Now a long string of nice serious films came out last year, and Capote was one that I didn’t want to miss, though for some reason they did show Good Night and Good Luck upon release at our local Odeon.
Much like Catherine, I am most definitely not Philip Seymour Hoffman’s biggest fan. Though I must say he is a pretty darn good actor.

Directed by Bennett Miller –of whom I have never heard of- Starring of course Philip Seymour Hoffman (Truman Capote), Catherine Keener (Harper Lee), Chris Cooper (Alvin Dewey), Clifton Collins Jr. (Perry Smith), Mark Pellegrino (Dick Hickock) and Bob Balaban (William Shawn).

The film follows the period of time wherein Truman Capote -author of Breakfast at Tiffany’s- writes “In Cold Blood”; one of his most famous books. The film is more of an exploration of character than anything else.
The film was definitely not for those with a short patience, it is rather slow paced as an overall film even though it runs at only two hours.

Philip Seymour Hoffman was amazing, and if there is one thing he has proven in Capote; its his diversity of roles –whereas Catherine thought he only could act like a total arsehole- in Capote he proves that he can act as a complete arsehole that you also cannot bear to hate. It’s really Hoffman that drove the whole film, without him it would probably be nowhere as recognised. Also as always, it was funny to recognise a familiar face: Mark Pellegrino from the episode of the X-Files with Chad Donella.

The story was interesting, following Capote’s troubling decision from keeping the friend he had made -through research- (Perry Smith) alive through legal backing, and being in anticipation of his death so that he could finish his novel.

Strangely the music sounded familiarly composed, something like two composers melded together, it was weird, especially because I have never even heard of Mychael Danna (sorry Mychael), whole thing weirded me out –I’m usually good at recognising composers.

The film if anything, was engrossing, with such a large emphasis on Truman, and Truman alone. Otherwise little else calls to itself as alarmingly brilliant. The mystery of the murder is also an intriguing factor. Much like other films with similar subjects, Capote also invited you to feel compassion –of sorts- towards the rather gentle convict Perry Smith, who has a lovely surprising turnaround; one great part of the film.

Overall my comment to the film is that although it was a little different to what I had expected, it’s a slow paced drama possibly for those who enjoy good acting, a slight base on story and an exploration of the man; Truman Capote.

Cptalbertwesker Rating – 7/10
I was actually surprised that I managed to watch the film.. and after watching it I realised how different it was to what I thought it might be. I was defiantly not expected simply the delving into Truman Capote’s character rather than a story.
Also I must say that being the third film in a line of films taking audience at our little independent cinema.. My bum is not taking too kindly to the seating.


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